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  Here, Your Lordship, I must beg leave to conclude. I once again thank the Marquis for his kind patronage of this experiment which will surely be regarded by history as one of the epochal events of the millennium. I will keep Your Lordship closely informed of further developments, particularly my compiling of a code with which to signal the presence of guiding intelligence to the “Wolfii,” as I have termed them, and finally wish God’s richest blessing upon Your Lordship’s self and all at Claremorris House, especially the Lady Alexandra, who is never far from our affections here at Craigdarragh.

  I remain Your Lordship’s devoted servant,

  Edward Garret Desmond Ph D

  * * * *

  (Submitted to the Cross and Passion School magazine Veritas: not accepted.)

  to my Faery Lover

  Oh, would that we were many things,

  My golden-shining love and I;

  Bright-flashing scales, a pair of wings

  That draw the moonlight down the sky,

  Two hazel trees beside the stream,

  Wherein our fruit in autumn drop,

  A trout, a stag, a wild swan’s dream,

  An eagle’s cry on mountain top.

  For we have both been many things:

  A thousand lifetimes we have known

  Each other, and our love yet sings.

  But there is more that I would own.

  Oh, that we could but naked run

  Through forests deep and forests fair,

  Our breasts laid open to the sun,

  Our flesh caressed by summer’s air,

  And in some hidden, leafy glen

  My striving body you would take;

  Impale me on your lust and then

  Me Queen of Daybreak you would make.

  And we would dance and we would sing

  And we in passion’s fist would cry;

  Loud with our love the woods would ring

  If we were lovers, you and I.

  If we were lovers, I and you,

  I would cast off all mortal ills

  And you would take me, Shining Lugh,

  To feast within the Hollow Hills.

  For the world of men is filled with tears

  And swift the night of science falls

  And I would leave those tears and fears,

  To dance with you in Danu’s Halls.

  So let us cast our cares away

  And live like bright stars in the sky.

  Dance dream-clad till the break of day,

  For we are lovers, you and I.

  Emily Desmond, Class 5a Cross and Passion School.

  * * * *

  DR. EDWARD GARRET DESMOND’S PERSONAL DIARY: MAY 28, 1909.

  WORK IS PROCEEDING apace on the signalling device. The laborers are addressing themselves to their tasks with an enthusiasm I would like to attribute to their desire to communicate with higher intelligences but I fear is due rather to Lord Fitzgerald’s generous purse. Already the first pontoon sections have been floated into Sligo harbor and the lanterns have been tested and found to work satisfactorily. Such successes are heartening after the delays and confusions of the early weeks. The plan is to assemble the cross from one hundred and seventy-six pontoon sections each one hundred yards long. This sounds a daunting proposition, given the brevity of time before the space vehicle attains perigee, but the sections have been largely preassembled in the town boatyards and only remain to be floated and bolted into their final form. Observing the great legion of laborers (of which there are no shortage in this poverty-stricken county) I have no fear that “Project Pharos” will not be completed by the allotted date.

  My outstanding concern, that of devising a universally comprehensible mode of communication with which to converse with the Wolfii, has been recently resolved to my complete satisfaction. It is a universal truth that the laws of mathematics are the same upon the worlds of Wolfe 359 as they are upon this one; to wit, the ratio of a circle’s circumference to its radius, which we call pi, must be as familiar to the Wolfii as to us. Therefore I have designed an electrical relay whereby one arm of the cross will flash its lights twenty-two times for the other’s seven, this being the approximate fractional ratio of pi. Such a signal cannot fail to attract the attention of our stellanauts and pave the way to more intimate conversation, a code for which I am currently devising using primes and exponents.

  * * * *

  Craigdarragh

  Drumcliffe

  County Sligo

  My dearest Constance,

  Just a brief note to express my heartfelt thanks for your generous invitation to visit you at Lissadell House to attend a reading by Mr. W. B. Yeats of his most recent poetic works. I shall certainly accept your kind invitation and, if it is not presuming too much upon your generosity, I wonder if perhaps I might bring my daughter Emily? She will shortly be returning from Cross and Passion School (where, I fear, she is far from happy, the dear child, constantly fretful and distressed in her work, and, so I am informed by Mother Superior, given to strange delusions and fantasies) and I know nothing would thrill her more than to hear Mr. Yeats reading his own incomparable poetry: she, like myself, is a great admirer of Mr. Yeats, especially his earlier works: his mythological world of gods and fighting men has quite stimulated her! I was recently sent a copy of a poem she wrote in English class; not bad, quite racy even, and showing definite promise, though it was not this promise that prompted Mother Superior to send it to me, I think, but the overtly sensual content of some of the imagery. Honestly, Constance, these church schools! I cannot understand Edward’s insistence that she be educated by the sisters, this is the twentieth century, this is the age of the new Renaissance, the Celtic dawn! Forgive me, the affair has made me quite flush with outrage. What I am trying to convey is that if it is acceptable, I will bring Emily on the date you suggest, and I thank you once again for your kindness, generosity, and hospitality,

  yours sincerely,

  Caroline Desmond.

  * * * *

  EMILY’S DIARY: JUNE 29, 1909.

  OH, TO BE in Craigdarragh now that summer’s here! I do declare that the moment the train steamed out of Kingsbridge station I could smell the wild honeysuckle and the purple heather on the slopes of Ben Bulben! Despite the warnings of the guard I must have travelled almost the whole way home with my head out of the window, just breathing in the smell of wild summer.

  After I said hello to Mama and Papa (what a strange mood he is in still, the silly man!) the first thing I did was to revisit Bridestone Wood and taste again the ancient magic that I have felt calling me, calling me, every hour of every day I was imprisoned in Cross and Passion. And now, as I try to write about what I experienced, my hand trembles and I feel guilty, though I should not, for then I did not care, not one bit.

  Today Bridestone Wood was alive as I have never known it before. Every leaf, every twig, every blade of grass, every drop of dew breathed magic, the Old Magic of stone, sea, and sky, and it was so quiet I could hear the trees breathing. The air was full of the perfume of green growing things and the soft green grass was calling out for the touch of my bare feet. I imagined I was a fair princess, a woman of the de Danaan, the Ever-Living Ones, and I slipped, quickly, willingly, under the spell of the greenwoods. In an instant I had cast off my horrible, tight, constricting clothes and I ran naked and free as a sunbeam through the summer glens. How wonderful I felt! It was like the poem I had written for the school magazine, but this time there was no Sister Assumpta, black and white like a folded-up newspaper, to tell me I was proud, sensual, and sinful. I was beautiful, I was proud, I would not be driven onto my knees to pray and pray for deliverance from the sins of the flesh; I loved the flesh, I loved the grass beneath my feet and the thin willow wands which whipped my body did not scourge me for my sins but blessed me with their golden pollen. I did not care if I ever saw my clothes again, I wanted to be like this forever, free from the petty, jealous restrictions of the human world, free from the sterile bleakness
of Cross and Passion and my poor father. At length I collapsed onto a bank of moss beneath an ancient druid oak.

  When the voice called my name I was afraid and ashamed of my nakedness, but it called again, my name, Emily, in a voice so sweet I thought it was the singing of a bird. Three times the voice called before I could reply with a “Who’s there?” Then I saw a golden glow moving through the trees towards me. I should have been frightened but I was not, I could not be, I knew that no harm was intended me. As the light drew nearer I saw that it was a golden wheel, rolling by its own power, with five spokes, like a cartwheel, only smaller and finer, much as I have always imagined a chariot wheel to be. It rolled towards me and spoke to me, telling me not to be afraid (and indeed, I was not afraid, not one bit), that the time was not yet come for me to meet the wheel’s faery master, but that it would come soon and now I was to follow it so that I might return to the realm of men again.

  I cannot remember, dear diary, where I followed that magical wheel, nor the least part of what transpired until I found myself upon the south edge of Bridestone Wood, but it must have been something strange and exceeding wonderful, for clasped upon my left arm was a golden horse-shoe torc of the kind that faery kings give to their faery queens as token of love and faithfulness. The torc I have hidden in my secret hidey-hole, for no one would understand it, but I am setting everything down in your pages, dear diary, so that I will never forget the wonderfulness of it. But diary, my secret, most trusted friend, if it was so magical, so wonderful, why do I feel I have sinned?

  * * * *

  EDWARD GARRET DESMONDS PERSONAL DIARY: JULY 8, 1909.

  I HERE PAUSE in my records of “Project Pharos” (which is proceeding to my complete satisfaction) to comment upon a matter of a personal nature which is causing me not inconsiderable distress. I refer of course, to the increasingly irrational behaviour of my daughter Emily. Since her return from Dublin she has floated around Craigdarragh as if in a daydream, paying only the scantest attention to her father and his epochal work, head filled rather with fantastic nonsense about faeries and mythological creatures haunting Bridestone Wood. And as if this was not enough, she has borrowed (taken without permission, rather!) one of my portable cameras which I was using to photograph the Wolfii vehicle to take a series of photographs of these “faery folk” at play in the woods around the demesne. I have seen these photographs, they are doubtless forgeries of greater or lesser skill; what I cannot understand is my daughter’s absolute insistence upon the objective truth of these fantastical notions. She believes utterly that she has taken factual photographs of supernatural creatures! Is she doing this out of spite for me and my rational, scientific philosophy of life in a pique of adolescent rebellion? We had the most fearful row, Emily demanding that she was not a little girl any longer, that she was a woman and that I treat her accordingly, and I, arguing with gentle persuasiveness and calm rationality, maintaining that to be treated like a woman she cannot revel in the childish hysterias of little girls. Alas, nothing was resolved, and worse still, Emily has won Caroline over to her side.

  Caroline intends to take Emily to Lissadell House and show these photographs to Mrs. Gore-Booth and Mr. William Butler Yeats, the famous poet, who will be delivering a reading there. Mr. Yeats is a man for whose poetry I have the highest regard but for whose superstitious fancies of gods and warriors and mythological hosts of the air I have no time, and I know with sure and certain knowledge that no good will come of his involvement on these ludicrous proceedings.

  But that I had more time to spend with Emily! Maybe then she would not have wandered heedless into the realms of fantasy and whimsy! I fear I have not been a proper father to her, but the advent of the star-folk will turn all our human relationships upon their heads.

  Finally, the electrical fluctuations that bedevilled the house at Easter have resumed and are more frequent and of longer duration. I shall have to have words with Mr. Michael Barry of the Sligo, Leitrim, Fermanagh and South Donegal Electrical Supply Company, and his dour employee Mr. MacAteer. What is more disturbing, and mystifying, is that objects have been moved around my observatory at night after I have locked up and left. Papers, books, chairs, tables, all have gone stray, and, most perplexing of all, my antique brass orrery, weighing nigh on a ton, was moved right out of the observatory into the gardens! The lesser items I could attribute to Emily in a pique of spite, but the orrery takes ten strong laborers to even budge! Alas that I have not the time for such mysteries at present; the demands of the Wolfii are paramount.

  * * * *

  Craigdarragh

  Drumcliffe

  Co Sligo

  16th July 1909

  My dearest Constance,

  Just a short note to let you know how thrilled I was to read in your letter that Mr. William Butler Yeats in person will be coming to talk with Emily about the faery photographs, and what is more, bringing with him Mr. Hannibal Rooke, the celebrated hypnotist and investigator of supernatural phenomena. Of course I would be delighted to accommodate Mr. Yeats and his colleague for a few days towards the end of this month, if they, for their parts, will excuse my husband’s small insanities and the somewhat chaotic state of the house; my husband’s experiments, you understand, he has everything quite topsy-turvy. Quite frankly, Constance, I cannot see any benefit from what he is doing; are not our photographic proofs of another world co-existent with our own more significant than his fanciful communications with the inhabitants of another star? Poor Lord Fitzgerald, I sometimes think he agreed to this quixotic escapade merely to humour Edward. Be that as it may, I must once again thank you, Constance, for all your support and hard work and I look forward enormously to seeing you on the 27th when Mr. Yeats comes.

  Yours sincerely,

  Caroline Desmond

  * * * *

  Excerpts from the Craigdarragh interviews: July 27, 28, and 29, 1909, as transcribed by Mr. Peter Driscoll, B.A., of Sligo. (The first interview: 9:30 P.M., July 27. Present: Mr. W. B. Yeats, Mr. H. Rooke, Mrs. C. Desmond, Miss E. Desmond, Mrs. C. Gore-Booth, Mr. P. Driscoll. Weather: windy with some rain.)

  W. B. YEATS: You are quite certain she is in the hypnotic trance and receptive to my questioning, Mr. Rooke?

  H. ROOKE: Quite sure, Mr. Yeats.

  W. B. YEATS: Very well then. Emily, can you hear me?

  EMILY: Yes sir.

  W. B. YEATS: Tell me, Emily, have these photographs you have shown me been falsified in any way?

  EMILY: No sir.

  W. B. YEATS: So these are genuine pictures of faery folk, then.

  (No reply.)

  H. ROOKE: You must question the subject directly, Mr. Yeats.

  W. B. YEATS: Forgive me, I forgot. Tell me, Emily, are these photographs actual representations of supernatural beings? Faeries?

  EMILY: Faeries? Of course they are faeries, the Old Folk, the Ever-Living Ones.

  W. B. YEATS: Thank you, Emily, that is what I wanted to know. Now that we have established that these are real photographs of real faeries, could you tell me, Emily, on how many occasions were these photographs taken?

  EMILY: Three occasions; once in the morning, twice in the early afternoon. Three days. Then …

  W. B. YEATS: Go on, Emily …

  EMILY: It was as if they didn’t want me to take any more photographs of them, they grew cold and distant, like there was a cloud over the sun. They don’t like mechanical things, the Old Folk, they don’t like cold, hard, iron human-made things.

  W. B. YEATS: Thank you, Emily.

  (The second interview: 9:50 P.M., July 28. Present: as above. Weather: wind gusting from the west, with showers.)

  W. B. YEATS: As we have no photographic evidence of either the earliest or the most recent encounters with the faery folk, could you describe for us please these Lords of the Ever-Living Ones?

  EMILY: (Her face becomes ecstatic.) They are the fairest of the fair, the sons of Danu; there are none to compare with the comeliness of the dwellers in the Hollow Hills
: no son of Milesius, no daughter of proud Maeve aslumber on cold Knocknarea. Their cloaks are of scarlet wool, their tunics of fine Greek silk. Upon their breasts they wear the badge of the Red Branch Heroes, upon their brows circlets of yellow gold; their skin is white as milk, their hair black as the raven’s wing, the glint of iron spear-points is in their eyes and their lips are red as blood. Fair they are, the sons of Danu, but none so fair nor so noble as my love, Lugh of the Long Hand. Strong-thewed he is, golden-maned, golden-skinned; clad in the green and the gold of the royal Dun at Brugh-na-Boinne; he is Lugh, my love, my King of the Morning, and I am his Queen of the Day, and this token of his everlasting love he has given to me …

  (Several murmurs of astonishment are heard among the witnesses as Miss Desmond produces a golden bracelet from beneath her dress.)

  H. ROOKE: Good grief! A Celtic arm torc!

  W. B. YEATS: Emily? Can you hear me, Emily?

  EMILY: I can hear you, Mr. Yeats.

  W. B. YEATS: Emily, where did you get this from? This is most important— Damnation, what was that?

  MRS. C. DESMOND: I’m so sorry, it’s another of those mysterious electrical failures I mentioned to you yesterday. Mrs. O’Carolan … Mrs. O’Carolan … lamps please. Gentlemen, if you wish we may continue by lamplight.

  H. ROOKE: Thank you, Mrs. Desmond, but with this new evidence being produced in such a dramatic way I think it would be best if we were to retire to draw up a new line of questioning.

  W. B. YEATS: Yes, we have put poor Emily through quite enough for one evening. Mr. Rooke … the trance …

  (The third interview: 3:30 P.M., July 29, 1909. Present: as above, with the addition of Dr. E. G. Desmond. Weather: cloudy, threatening rain from the west.)

  W. B. YEATS: This faery lover who gave the torc to you, Emily; tell us about him, will you?

  EMILY: (Grows animated.) Ah, Lugh, Lugh, King of the Morning, Master of the Thousand Skills; there is none to compare with him in music or archery, poetry or the feats of war, hunting nor the tender accomplishments of love. (Here Dr. Desmond blushes.) We are riders on the wings of the morning, he and I, we are dancers in the starlit halls of Tir-Nan-Og, and with the sun setting we rise in the shapes of swans, joined at the necks by chains and collars of red, red gold and journey to the Land of the Sunrise where we begin our wondrous journey of love again. We have tasted the hazelnuts of the Tree of Wisdom; we have been many things, many shapes; wild swans upon the lake of Coole, two arbutuses twined together upon a mountainside, white birds upon the foam of the sea, we have been trees, we have been leaping silver salmon, wild horses, red foxes, noble deer; brave warriors, proud kings, sage wizards …